Oh Sukumari Movie Review: Aishwarya Rajesh & Thiruveer Shine, But Can This Comedy-Drama Deliver the Laughs?

Movie Name: Oh Sukumari

Release Date: July 17, 2026
Starring: Thiruveer, Aishwarya Rajesh & Others
Director: Bharat Dharshan
Producer: Maheshwara Reddy Mooli
Music Director: Bharath Manchiraju
Cinematographer: CH Kushendar
Editor: Sree Varaprasad

Related Links: Trailer

Thiruveer and Aishwarya Rajesh come together for the first time in Oh Sukumari, which has finally arrived in theatres today. Does this comedy-drama live up to expectations? Here's our review.

Story

Narala Yadagiri (Thiruveer), an ambitious politician, discovers that he can inherit his grandfather's ₹80 crore property—but only if he fulfills a special condition. In a hurry to secure his inheritance, he falls in love with Daamini (Aishwarya Rajesh) and proposes to her.

To his surprise, the entire village, which is terrified of Daamini, goes out of its way to make sure the marriage takes place. However, on their wedding night, a shocking truth comes to light that changes everything.

What is the secret? Why is the village so afraid of Daamini? Does Yadagiri finally inherit the property? The rest of the film answers these questions.

Plus Points

After impressing audiences with her performance in Sankranthiki Vasthunnam, Aishwarya Rajesh once again delivers a sincere and energetic performance. She fits naturally into the role and carries her character with confidence throughout the film.

Thiruveer does a decent job in the lead role. His scenes with Aishwarya Rajesh, especially after the film's major twist, provide some entertaining moments and manage to generate a few genuine laughs.

The movie also offers a handful of enjoyable scenes, while the supporting cast performs their respective roles convincingly.

Minus Points

The biggest issue with Oh Sukumari is its predictability. The film's central twist is already hinted at in the promotional material, making it the responsibility of writer-director Bharath Dharshan to keep the narrative engaging. Unfortunately, he doesn't succeed.

The first half depends heavily on outdated and silly comedy, with only a few scenes landing well. The second half, which begins after the major twist, had enough scope to explore the conflict with stronger drama and emotional depth. Instead, it follows a routine and predictable path, offering very little emotional impact or narrative excitement. As a result, the film gradually loses momentum.

Although Aishwarya Rajesh and Thiruveer perform well, their characters aren't developed enough to leave a lasting impression. Aishwarya Rajesh's repeated use of the word "uchchu" also becomes irritating after a while. Supporting actors Aamani and Anand have better-written roles on paper but are ultimately underutilized. Even the family drama lacks the emotional strength needed to make the conflict meaningful.

Comedy, which appears to be the film's biggest strength on paper, turns out to be inconsistent. Only a few jokes actually work, while most of the humour misses the mark. Some performances also feel unnecessarily loud and exaggerated instead of naturally funny. The songs fail to make an impact and are easily forgettable.

Technical Aspects

Writer-director Bharath Dharshan fails to turn an interesting yet predictable premise into an engaging entertainer. Weak writing, an outdated storytelling style, and an uninspiring screenplay stop the film from reaching its full potential.

CH Kushendar's cinematography is decent and serves the story well. Bharath Manchiraju's music works in a few places but isn't memorable overall. Sree Varaprasad's editing is below average, and a tighter edit could have significantly improved the film's pacing. The production values are satisfactory.

Verdict

Overall, Oh Sukumari is a mediocre comedy-drama that fails to fully capitalize on its interesting premise despite having capable performers like Thiruveer and Aishwarya Rajesh in the lead. While it delivers a few entertaining moments and occasional laughs, the inconsistent comedy, lack of emotional depth, and predictable storytelling prevent it from becoming an engaging watch. In the end, it settles as a below-par entertainer.